クラフィ ピタゴラス。 クラッシュフィーバー、11月26日より「ALICE/GAME

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クラフィ ピタゴラス

「錬金術師の祖」とされ、錬金術は「ヘルメスの術」とも呼ばれる。 の神と、エジプト神話の神が時代に融合し、さらにそれらの威光を継ぐ人物としての錬金術師ヘルメスが同一視され、ヘルメス・トリスメギストスと称されるようになった。 それら3つのヘルメスを合わせた者という意味で、「3倍偉大なヘルメス」「三重に偉大なヘルメス」と訳される(3人の賢者〈ヘルメス〉の伝説〈三重の知恵のヘルメス〉)。 第1のヘルメス:以前にいた神。 の孫という。 衣服、を作ったという。 天文などを研究したという。 第2のヘルメス:ノアの洪水以後のにいた人。 ピタゴラスの師という。 医学、数学などに優れる。 第3のヘルメス:エジプトの人。 医学者、哲学者。 都市計画をしたという。 ヘルメス・トリスメギストスは、やの著者とされた。 また、中世のは、を手にした唯一の人物と考えていた。 「」とは、ヘルメス・トリスメギストスにあやかって世界の神秘を味わい尽くそうとする思想のことを指す。 「3倍」の理由 [ ] のヘルメス・トリスメギストス トート トリスメギストス(3倍偉大)という記述の起源は明らかではない。 ブライアン・P・コーペンヘイヴァーによれば、この名前が最初にみられるのは、紀元前172年、エジプトメンフィス近くで開かれた崇拝の集まりであるという。 しかし、ガース・ファウデンは、この名前の起源は()およびであると述べている。 そのほかの解釈としては、神殿にあるトートの称号「偉大なる、偉大なる、偉大なるトート」が元になっているという説がある。 ヘルメス・トリスメギストスがエジプトに存在していたとされる時期(これ以降の時期に地上に存在していたかは、定かではない)は、モーセの時代よりはるか昔、の最初期であったとされる。 権力者たちは、ヘルメス・トリスメギストスをと同時代の人物と考えた。 また、ユダヤの伝承の中には、アブラハムがその神秘的な知識の一部をヘルメスから得たとするものさえある()。 、、、、、などの多くのキリスト教著述家は、ヘルメス・トリスメギストスを、キリスト教の出現を予見した賢明なる異教徒の預言者と考えた。 これらの著述家は、「」すなわち古代に神から人に与えられたすべての宗教に通じる唯一・真実の神学が存在するという考えを信じており 、ザラスシュトラやプラトンなど、多くの預言者にこの考えを適用していた。 古代神学の正しさを示すため、これらのキリスト教徒たちはヘルメスの教えを自らの意図に合わせて使用した。 このため、キリスト教会の教父にとってのヘルメス・トリスメギストスはモーセの同時代人 として考えられたり、ヘルメスの名で呼ばれる3人の人間と考えられたり 、偉大な聖職者・哲学者・王を兼ねていたという意味で「3倍偉大」と考えられたりした。 ヘルメス・トリスメギストスが「トリスメギストス」の名を持っている理由の説明としては、の「全世界の英知の三部門を知る」という記述を根拠にするものがある。 この3つの分野の知識とは、すなわち・・である。 脚注 [ ]• コトバンク. 2018年8月14日閲覧。 Copenhaver, B. , "Hermetica", Cambridge University Press, Cambridge, 1992, p xiv. Fowden, G. , "The Egyptian Hermes", Cambridge University Press, Cambridge, 1987, p 213• Hart, G. , The Routledge Dictionary of Egyptian Gods and Goddesses, 2005, Routledge, second edition, Oxon, p 158• Yates, F. , "Giordino Bruno and the Hermetic Tradition", Routledge, London, 1964, pp 9-15 and pp 61-66 and p 413• Yates, F. , "Giordino Bruno and the Hermetic Tradition", Routledge, London, 1964, pp 14—18 and pp 433—434• Hanegraaff, W. , "New Age Religion and Western Culture", SUNY, 1998, p 360• Yates, F. , "Giordano Bruno and the Hermetic Tradition", Routledge, London, 1964, p 27 and p 293• すなわちエノク、ノア、そしてエジプトに君臨した王・哲学者・預言者である3倍のヘルメスである。 」 "Giordano Bruno and the Hermetic Tradition", Routledge, London, 1964, p48 ウィキペディアユーザーによる訳• Copenhaver, B. , "Hermetica", Cambridge University Press, 1992, p xlviii• Scully p. 322.

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クラフィ ピタゴラス

storefronts. editorial. groupings. extend. editorialartwork. 2cartisturl. include. 5balbums. artists. en-us. name. music. platform. mzstatic. apple. mzstatic. mzstatic. We have the most fun when nothing is off limits. Amid it all, gorgeous saxophone solos waft across the album, transporting you straight to the streets of their hometown on a sunny day. Everything about the album was just spontaneous and about not taking ourselves too seriously. These songs are about depression, seeking help, grief, failing relationships, and health issues Este has type 1 diabetes. The album proved to be the release they needed from all of those experiences—and a chance to celebrate the unshakable sibling support system they share. We held up a mirror and took a good look at ourselves. It came out of this feeling when we were growing up that Los Angeles had a bad rep. And if LA is an eyeroll, the Valley—where we come from—is a constant punchline. But I always had such pride for this city. And then when our first album came out, all of a sudden, the opinion of LA started to change and everyone wanted to move here. The album and this song are really guitar-driven [because] we just really wanted to drive that home. Just playing it feels empowering. Este came up with just that simple bassline. And we kind of wrote the melody around that bassline, and then added those 808 drums in the chorus. Sometimes for me, being at home alone is the most comforting. We shout out Joni Mitchell in this song; our mom was such a huge fan of hers and she kind of introduced us to her music when we were really little. I'd always go into my room and just blast Joni Mitchell super loud. And I kept finding albums of hers as we've gotten older and need it now. I find myself screaming to slow Joni Mitchell songs in my car. This song is very nostalgic for her. The guitar solo alone is really fun. The song was a lot slower originally, and then we put that breakbeat-y drumbeat on it and all of a sudden it turned into a funky sort of thing, and it really brought the song to life. I love the way that the drums sound. I feel like we really got that right. That slowed-down ending is due to Ariel. I remember I had gone to go get food, and when I came back Danielle had written the bridge. Okay! There have been around 10 versions of this song. Someone was having a booty call. It was probably me, to be honest. We started out with this beat, and then we wrote the chorus super quickly. And we had to audition a bunch of dudes. They were the worst! We can tinker around with a song for years, and with this one, every time we added something or changed it, it lost the feeling. And every time we played it, it just kind of felt good. It felt like a warm sweater. The day that we started it, I was thinking that I was going to get back together with the love of my life. I mean, now that I say that, I want to barf, because we're not in a good place now, but at that point we were. We had been on and off for almost 10 years and I thought we were going to give it another try. And it turns out, the week after we finished the song, he had gotten engaged. So the song took on a whole new meaning very quickly. I think Ariel had a lot of fun producing this song. The end of the song is supposed to feel like a celebration. We wanted it to feel like a dance party. Because even though it has such a weird meaning now, the song has a hopeful message. Who knows? I am still hopeful. As sisters, we are the CEOs of our company: We have super strong personalities and really strong opinions. And finding someone that's okay with that, you would think would be celebrated, but it's actually not. It's really hard to find someone that accepts you and accepts what you do as a job and accepts everything about you. And we just wanted to keep it like that, so we played acoustic guitar straight into the computer for a very dry, unique sound that I love. This was super quick with stream-of-consciousness lyrics. I wanted it to sound like you were in the room, like you were right next to me. It's very therapeutic to just kind of scream it in song form. The backing vocals on this are like the other side of your brain. We got asked questions about it early on, and there was this one interviewer who asked if I made the faces I made onstage in bed. My defense mechanism when stuff like that happens is just to try to make a joke out of it. Now, had someone said that to me, I probably would've punched them in the face. But as women, we're taught kind of just to always be pleasant and be polite. And I think that was my way of being polite and nice. Thank god things are changing a bit. We've been talking about shit like this forever, but I think now, finally, people are able to listen more intently. We got the feeling we wanted in the first take. And I've talked to so many other women about the same experience. I hate going in the guitar stores. Whatever felt good on this track, we just put it in. The production is bananas and bonkers, but it did really feel good. But to us it was exciting to have that crazy guitar solo and those drums. And the song basically explains what it feels like and just not knowing how to get out of it. You're just kind of drowning in this relationship, because the highs are high and the lows are extremely low. And knowing that you're so hard on yourself about the littlest things. But your partner can do no wrong. But it felt like the end to the chapter of the record—a good break before the next songs, which everyone knew. And you need to get your shit together and you need to look it in the face and know that you're here and work on yourself. We're very lucky that we each have two sisters as backup always. We wrote this with our friend Tobias Jesso Jr. , and we all just decided to write verses separately, which is rare for us. I wrote about losing a really close friend of mine at such a young age and going through a tragedy that was unexplainable. I still grapple with the meaning of that whole thing. It was one of the hardest times in my life, and it still is, but I was really lucky that I had two siblings that were really supportive during that time and really helped me get through it. If you talk to anybody that loses someone unexpectedly, you really do become a different person. I feel like I've had two chapters of my life at this point: before it happened and after it happened. But we loved everything about it. You can lose your confidence really quickly, but thankfully, people really liked it. Putting out this song really did give us back our confidence. I just couldn't stop thinking about how he was feeling. I get spooked really easily, but I felt like I had to buck the fuck up and be this kind of strong figure for him. I had to be this kind of sunshine, which was hard for me, but I feel like it really helped him. Being the summer when he was just in this dark, dark place. mzstatic. mzstatic. mzstatic. mzstatic. apple. mzstatic. ppypeevv. mzstatic. rgb. apple. mzstatic. mzstatic. He has guested on what is very likely only a fraction of the requests he received in that time, but fans would find scene-stealing verses across projects from Summer Walker, Snoh Aalegra, and the Dreamville crew, among others. mzstatic. mzstatic. mzstatic. mzstatic. apple. mzstatic. 5afa2dafaf1d46f5a6b34a4ef31d9a75? mzstatic. apple. mzstatic. mzstatic. mzstatic. rgb. apple. mzstatic. mzstatic. The beautifully varied textures, always close to 40 beats per minute, create an acoustic environment not unlike that experienced by a foetus in the womb. Nothing loud breaks the spell, nothing fast distracts us from this world between waking and sleeping. mzstatic. mzstatic. mzstatic. apple. mzstatic. eufgglod. abe8ba42278f4ef490e3a9fc5ec8e8c5? mzstatic. apple. mzstatic. mzstatic. mzstatic. And if you hear something you like, add it to your library. mzstatic. mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. itunes. apple. m3u8? itunes. apple. m3u8? mzstatic. apple. mzstatic. apple. mzstatic. mzstatic. In Association with Night Time Stories, Ltd. The result is their most direct work to date. apple. mzstatic. zeqspjxw. mzstatic. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. 2b0e6e332fdf4b7a91164da3162127b5? mzstatic. apple. mzstatic. mzstatic. mzstatic. Listen to it now and add this playlist to your library to stay up on the latest must-hear new songs. f4d106fed2bd41149aaacabb233eb5eb? mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. abe8ba42278f4ef490e3a9fc5ec8e8c5? mzstatic. apple. mzstatic. mzstatic. mzstatic. And if you hear something you like, add it to your library. 5ee8333dbe944d9f9151e97d92d1ead9? mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. Check back often, as our editors update this playlist regularly—and if you hear something you like, add it to your library. 28926c578a80475c904026ea97646ad5? mzstatic. apple. mzstatic. mzstatic. Every day new bands are taking shape and plugging in. These are the few that are destined for greatness. Formerly The A-List: Rock, this playlist is updated regularly, so if you like a song, add it to your library. 87bb5b36a9bd49db8c975607452bfa2b? mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. It tends to get the crowd going from the start. I hope that people can find strength in this song. Check back here early and often, and if you hear something you like, add it to your library. 0e91490f3310408eb1186fc9befb3d11? mzstatic. apple. mzstatic. mzstatic. Songs and sounds of the moment, if not the next. 6bf4415b83ce4f3789614ac4c3675740? mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. Then, late this winter, during a writing session with CamelPhat, the Foals frontman found his moment. fecfa8a26ea44ad581d4fe501892c8ff? mzstatic. apple. mzstatic. mzstatic. In other words, certain types of pop music can speak to the heart in ways that make you feel grateful just to be alive. From soaring ballads to surging dance anthems with touches of electronic and indie rock, here are the biggest tracks inspiring us today: the sound of good news. Our editors update these tracks regularly. If you hear something you like, add it to your library. 4b364b8b182f4115acbf6deb83bd5222? mzstatic. apple. mzstatic. mzstatic. mzstatic. R mixtape, the Colombian artist recruits Maluma, Nicky Jam, Sech, and the aforementioned Balvin for this expansive version. This playlist is updated often, so if you hear something you like, add it to your library. 0b593f1142b84a50a2c1e7088b3fb683? mzstatic. apple. mzstatic. mzstatic. So check back often, and if you hear something you like, add it to your library. b7ae3e0a28e84c5c96c4284b6a6c70af? mzstatic. apple. mzstatic. mzstatic. 58c2477d86ea46db997048afd159d01d? mzstatic. apple. mzstatic. mzstatic. Our editors update these tracks every week. If you find a new favorite to crank, add it to your library. 5cb9c0f3ca9d4fc1bccbaf67ca6201e7? mzstatic. apple. mzstatic. 07405f59596b402385451fa14695eec4? mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. Rhythmically daring and emotionally intense, today's jazz is an art that perpetually surprises and evolves. Our editors regularly refresh this playlist. If you like a track, add it to your library. 51c1d571cc7b484eb1dead1939811f2d? mzstatic. apple. mzstatic. mzstatic. Fortunately, heavy music's new class keeps plenty of huge riffs and rage-worthy choruses coming every week—and we've collected the best and most brutal of 'em here. Our editors regularly update this playlist. If you hear a track you like, add it to your library. eb88af9a17e6401da701a7e768e2d53c? mzstatic. apple. mzstatic. mzstatic. But you also like rap. And rock, and even a little electronic. Come to think of it, who put all these boundaries up in the first place? Our editors are updating tracks all the time, so if you hear something you like, add it to your library. c91209d0acdd4aa789b11ca9ec351028? mzstatic. apple. mzstatic. mzstatic. From open-arms guitar anthems to leftfield dance, intimate folk-rock to pop pastiche, here's an eclectic set of tracks that capture that indie spirit, whether made by its long-standing ambassadors or their modern-day acolytes. Our editors regularly refresh this playlist. If you like a song, add it to your library. 6e8b41fadbe0454abeb3f98ce5296818? mzstatic. apple. mzstatic. Updated weekly. f19f6b5be8474fe789e36a6242f6113e? mzstatic. apple. mzstatic. mzstatic. mzstatic. We update this collection every week. If you like a track, add it to your library. mzstatic. apple. mzstatic. mzstatic. We have the most fun when nothing is off limits. Amid it all, gorgeous saxophone solos waft across the album, transporting you straight to the streets of their hometown on a sunny day. Everything about the album was just spontaneous and about not taking ourselves too seriously. These songs are about depression, seeking help, grief, failing relationships, and health issues Este has type 1 diabetes. The album proved to be the release they needed from all of those experiences—and a chance to celebrate the unshakable sibling support system they share. We held up a mirror and took a good look at ourselves. It came out of this feeling when we were growing up that Los Angeles had a bad rep. And if LA is an eyeroll, the Valley—where we come from—is a constant punchline. But I always had such pride for this city. And then when our first album came out, all of a sudden, the opinion of LA started to change and everyone wanted to move here. The album and this song are really guitar-driven [because] we just really wanted to drive that home. Just playing it feels empowering. Este came up with just that simple bassline. And we kind of wrote the melody around that bassline, and then added those 808 drums in the chorus. Sometimes for me, being at home alone is the most comforting. We shout out Joni Mitchell in this song; our mom was such a huge fan of hers and she kind of introduced us to her music when we were really little. I'd always go into my room and just blast Joni Mitchell super loud. And I kept finding albums of hers as we've gotten older and need it now. I find myself screaming to slow Joni Mitchell songs in my car. This song is very nostalgic for her. The guitar solo alone is really fun. The song was a lot slower originally, and then we put that breakbeat-y drumbeat on it and all of a sudden it turned into a funky sort of thing, and it really brought the song to life. I love the way that the drums sound. I feel like we really got that right. That slowed-down ending is due to Ariel. I remember I had gone to go get food, and when I came back Danielle had written the bridge. Okay! There have been around 10 versions of this song. Someone was having a booty call. It was probably me, to be honest. We started out with this beat, and then we wrote the chorus super quickly. And we had to audition a bunch of dudes. They were the worst! We can tinker around with a song for years, and with this one, every time we added something or changed it, it lost the feeling. And every time we played it, it just kind of felt good. It felt like a warm sweater. The day that we started it, I was thinking that I was going to get back together with the love of my life. I mean, now that I say that, I want to barf, because we're not in a good place now, but at that point we were. We had been on and off for almost 10 years and I thought we were going to give it another try. And it turns out, the week after we finished the song, he had gotten engaged. So the song took on a whole new meaning very quickly. I think Ariel had a lot of fun producing this song. The end of the song is supposed to feel like a celebration. We wanted it to feel like a dance party. Because even though it has such a weird meaning now, the song has a hopeful message. Who knows? I am still hopeful. As sisters, we are the CEOs of our company: We have super strong personalities and really strong opinions. And finding someone that's okay with that, you would think would be celebrated, but it's actually not. It's really hard to find someone that accepts you and accepts what you do as a job and accepts everything about you. And we just wanted to keep it like that, so we played acoustic guitar straight into the computer for a very dry, unique sound that I love. This was super quick with stream-of-consciousness lyrics. I wanted it to sound like you were in the room, like you were right next to me. It's very therapeutic to just kind of scream it in song form. The backing vocals on this are like the other side of your brain. We got asked questions about it early on, and there was this one interviewer who asked if I made the faces I made onstage in bed. My defense mechanism when stuff like that happens is just to try to make a joke out of it. Now, had someone said that to me, I probably would've punched them in the face. But as women, we're taught kind of just to always be pleasant and be polite. And I think that was my way of being polite and nice. Thank god things are changing a bit. We've been talking about shit like this forever, but I think now, finally, people are able to listen more intently. We got the feeling we wanted in the first take. And I've talked to so many other women about the same experience. I hate going in the guitar stores. Whatever felt good on this track, we just put it in. The production is bananas and bonkers, but it did really feel good. But to us it was exciting to have that crazy guitar solo and those drums. And the song basically explains what it feels like and just not knowing how to get out of it. You're just kind of drowning in this relationship, because the highs are high and the lows are extremely low. And knowing that you're so hard on yourself about the littlest things. But your partner can do no wrong. But it felt like the end to the chapter of the record—a good break before the next songs, which everyone knew. And you need to get your shit together and you need to look it in the face and know that you're here and work on yourself. We're very lucky that we each have two sisters as backup always. We wrote this with our friend Tobias Jesso Jr. , and we all just decided to write verses separately, which is rare for us. I wrote about losing a really close friend of mine at such a young age and going through a tragedy that was unexplainable. I still grapple with the meaning of that whole thing. It was one of the hardest times in my life, and it still is, but I was really lucky that I had two siblings that were really supportive during that time and really helped me get through it. If you talk to anybody that loses someone unexpectedly, you really do become a different person. I feel like I've had two chapters of my life at this point: before it happened and after it happened. But we loved everything about it. You can lose your confidence really quickly, but thankfully, people really liked it. Putting out this song really did give us back our confidence. I just couldn't stop thinking about how he was feeling. I get spooked really easily, but I felt like I had to buck the fuck up and be this kind of strong figure for him. I had to be this kind of sunshine, which was hard for me, but I feel like it really helped him. Being the summer when he was just in this dark, dark place. mzstatic. mzstatic. mzstatic. mzstatic. apple. mzstatic. ppypeevv. mzstatic. apple. mzstatic. mzstatic. In Association with Night Time Stories, Ltd. The result is their most direct work to date. apple. mzstatic. zeqspjxw. mzstatic. rgb. apple. mzstatic. mzstatic. He has guested on what is very likely only a fraction of the requests he received in that time, but fans would find scene-stealing verses across projects from Summer Walker, Snoh Aalegra, and the Dreamville crew, among others. mzstatic. mzstatic. mzstatic. mzstatic. apple. mzstatic. mzstatic. rgb. apple. mzstatic. mzstatic. The beautifully varied textures, always close to 40 beats per minute, create an acoustic environment not unlike that experienced by a foetus in the womb. Nothing loud breaks the spell, nothing fast distracts us from this world between waking and sleeping. mzstatic. mzstatic. mzstatic. apple. mzstatic. eufgglod. mzstatic. apple. mzstatic. mzstatic. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. mzstatic. apple. mzstatic. pdagxjol. mzstatic. apple. mzstatic. mzstatic. mzstatic. apple. mzstatic. zavsxmva. mzstatic. apple. mzstatic. apple. mzstatic. mzstatic. rgb. apple. mzstatic. mzstatic. mzstatic. apple. mzstatic. ecydthof. mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. apple. That voice which seems like it fell off of the classic rock convoy of 1972, but crossed with the gruff soul men of a generation before. It's hard not to feel something when he sings. LaMontagne knows this, but he doesn't go overboard. There's always that possibility that he could jump into the fire like Joe Cocker used to, but LaMontagne instead deals with musical atmospheres that revel in their love for soul and folk music, keeping things roots-y and never over the top. His voice and his songs simply add one more layer to the down-home, soulful mix. mzstatic. nhcuhbsu. mzstatic. apple. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. rgb. apple. mzstatic. mzstatic. apple. mzstatic. glcjiktl. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. apple. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. All rights reserved. Producer Jay Joyce listened to the impassioned way that Townes strummed her songs on acoustic guitar, and added a kinetic sense of rhythm. I love the way the music makes me feel around that message. Being able to ask those questions and have that conversation and sit in that place of wrestling, to me, is what allows me to believe. That's so foundational. It's just the comfort that you're just not alone in that. This song, in the studio, it took a lot of pacing and really working out the rhythm. It's like somebody pacing back and forth as they're in that really hard place. It's a painful sort of honesty. This song is anchored from true stories of people that have been through really hard things that I had the honor of getting to know, and being able to write about that story just meant so much to me. I love the way that the darkness just cannot possibly stand a chance from the smallest beam of it. It just has no choice but to shrink. I love talking about light and thinking about light as a theme in writing in general. It was cool to be able to dive into that for this song, and also honoring the people who cheer us on and who are the encouragers along our path, and the way that we get be that for people too. I just think it's so important to challenge that in real life. Love is just so much bigger than what society paints it to be. Trying to keep an open heart towards all of that is important. Walking into the studio with the song, I really felt like Jay put like a leather jacket on it, metaphorically speaking. It's got this edge to it. I love the snare drum and the attitude that it just kind of brings forward. And I love the message of just holding on to the good things and the hard and not-so-fun, painful things we go through, and being able to keep the parts that shape us. I was sitting in this little apartment I was renting and just really missing my great-grandmother and my family, and just thinking about the glue that she is and how thankful I am to have lived 20 years of my life with my great-grandmother very closely. She was just an incredible woman. She'd come out to all these different fairs or festivals I'd played in Canada and sit in the front row in her lawn chair and sing along. She partied with the best of them up to, like, 80-some years old, and would be the first one waking up in the morning, cooking everybody breakfast. It maybe took me 20 minutes to write this song, and I just felt like I was getting out of the way and surrendering to that moment and letting it take over. It was very much a spiritual process. The day that we recorded this song, Jay played it with me and I sat and played my acoustic and sang into the mic at the same time, and there was a third acoustic guitar. It was just the three of us sitting in a semicircle. I took a deep breath and said a little prayer and sang the song. I've always loved that phrase. It was really fun to dance around Daniel's studio the day that we wrote it, just imagining people of every kind, just showing up and coming together. It's like you listen and even having not lived in that era, you feel like you're just walking down the spiral staircase into this mysterious and magical romantic time. We wanted to capture that feeling in a song, and we wrote it to be this duet, and it was really cool to have Keelan be able to come in and sing. That's the anchor of where the thread that goes through a lot of those songs kind of comes from, from that belief, and this one included. That story and starting from that place really, really meant so much to me, the desire to really be looking out for one another and things that we're going through. It's very much sort of anchored in this way of just being an observer and noticing really hard things. Being able to musically pair that with the anthemic production just made me so excited. I feel like that wonder and innocence is something to learn so much from. Jay had this idea to bring in this little girl to sing at the end of the record. She was Jason Hall, the engineer's, daughter and her name is Amelia. She's seven years old, and she just came and sang her heart out. I watched her stand in the vocal booth and she's all nervous, and then she just closes her eyes and sings. apple. mzstatic. fwocufqz. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. zpsmuqed. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. There's also really loud, rocking songs, and that's how they should sound. I don't think you have to try to file down the edges of things to make them palatable for every single person. I think that's where you start to lose. He was coming over, and I wrote the music kind of right before he got there. I had a real good grip on what the feel was. I had a little melody, but we didn't have a subject. He was telling me a story about this old hotel that used to be out on Dickerson Road called the Midway Motel. There was a sign there for years and they finally tore it down. That's where we eat, at this place, and where we stay, at this place. So it was sort of that story of those places on the road where you start to feel more at home and [get to] know these characters that come in and out. We did arrangements with it at just the top, just the end, and then kind of do other things in the middle. It always felt like a puzzle you were trying to force pieces into. When we did it in this arrangement, more like a group of 15- and 16-year-old kids playing in a garage for the first time, it had that real raw grit and emotion that I just felt like the song needed. I've done things that are cool. I've done things that I can be really proud of. I still want to grow. I want to push myself and all those things, but I feel like for years, I've just been unsatisfied. Something has to go wrong. It was really just a love letter to my own wellness, I guess. It's what you do. I think with time, realizing that there are these hard, really painful things that we have to do—whether that's a breakup or leaving a job or leaving a city, or a combination of all of those things. It's oftentimes still the right thing to do. It can be things as simple as during this quarantine, we watched my oldest son, who's 13 now, went off for the first time on his bike and left for the day with his friends. You have to have these moments of growth and sadness to really continue to move on. We kind of whittled on it and tried to do a more, quote unquote, radio-friendly arrangement, and it was never interesting. The guitar work was important. The girls singing that [chorus] part, it's sort of that internal voice telling you to let these things go. You sort of know it inside. It just didn't have that same effect when it was just me singing it. I really liked the effect of where it took us emotionally. And I really loved that. It's sort of the exact opposite of what we talked about with the long song. We got the whole story and a great guitar solo and outro solo, all of these things that you wanted in song, and I think it's two minutes and 11 seconds or something like that. It felt so punk rock and natural that I just loved it, so we left it alone. You start to see things crumble and that real pain that that brings when you are the one that really is sort of abandoned. There was a desperation in the recording of that one. That's a one-take vocal the whole way through. I'm real proud of that. For me, there was always this feeling of not being able to fully be vulnerable. There's so many records like that that I listened to growing up, from XTC to early Tom Petty stuff, just any of that stuff that feels like a three-minute-long, roll-the-windows-down summer radio extravaganza. I feel like we really captured that with the song. Not just that relationship, but the daughters' future relationships with her husband or partner and children and all of those things. My wife's a counselor for kids. She doesn't give me intimate details, but you're able to pick up on certain scenarios and things that we go through with our children and parents and problems and how those can be lifelong struggles. It's really just the story of a girl having to leave behind all these sort of dreamlike ideas of childhood, and realizing all of these screwups that she's going to have to go and fix. You grow up in a small town and everybody still expects that you're going to look back fondly, and that's just not the case for that character. apple. mzstatic. fokfkzrh. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. nwejfxxb. 341a938306904c839f803d8ef21158dc? mzstatic. apple. mzstatic. mzstatic. Songs 1-25 is a complete ride. 99612a113ef24bd4913d4132b384704d? mzstatic. apple. mzstatic. mzstatic. Our editors add new songs to this playlist every week. If you hear something you like, add it to your library. Now get out there. 1544ab7dff45434ab1c354618ffe0aac? mzstatic. apple. mzstatic. mzstatic. 34c6bf42a176492abb918edb57b565e9? mzstatic. apple. mzstatic. mzstatic. mzstatic. 35739c7579cb4b11abcaa7e570076d3e? mzstatic. apple. mzstatic. mzstatic. e4d0cb54b9dd46648a06290ff1a90045? mzstatic. apple. mzstatic. mzstatic. You can feel it on your skin—that warm, happy feeling, half exhausted and fully content. Our editors update these tracks every week. If you hear something you like, add it to your library. Then put the thing down and check back out. b1f1cddf56b14a00b7787e55642cf4de? mzstatic. apple. mzstatic. mzstatic. Just driving around and having fun with all my friends! 6c74c5cc8cfe471da7b01026fe1e87ed? mzstatic. apple. mzstatic. mzstatic. 6cbec98d25194addb2b012e681e0eff6? mzstatic. apple. mzstatic. mzstatic. d0eab36013204644915d56e7b776eda6? mzstatic. apple. mzstatic. mzstatic. da5a10df9f434614ab4bb48ee1b62c7e? mzstatic. apple. mzstatic. mzstatic. 363485e056664efdb195030884326c13? mzstatic. apple. mzstatic. mzstatic. 0853b90bcc474bbf96e121e50126d426? mzstatic. apple. mzstatic. mzstatic. 58f8fac71d3d4995851a3179b3f6d2b0? mzstatic. apple. mzstatic. mzstatic. bd08a568ec2647d19da5891d3a4a3ebe? mzstatic. apple. mzstatic. mzstatic. Perfect for summer, or whenever you want to warm up the mood. We regularly update these selections. If something gets you on your feet, add it to your library. f7f94eb3066d4e7ab661d3664a7818e9? mzstatic. apple. mzstatic. mzstatic. f27ed614acb2429188a9d09f50caa9ff? mzstatic. apple. mzstatic. mzstatic. abbd0ac9fd2e4f11b89b97afcf580c91? mzstatic. apple. mzstatic. mzstatic. cdef53be33914355886392027fa36c75? mzstatic. apple. mzstatic. mzstatic. Slap on some sunscreen or sweatpants, or shorts, or sworts? and get into warm-weather mode with easygoing pop favorites and tried-and-true classics from summers past. Our editors regularly update this playlist, so if you hear something you love, add it to your library. mzstatic. rgb. apple. Teamed with a crew of heavy hitters — including Rihanna on a menacing love-hate ballad and Lil Wayne on a Just Blaze production sampling Haddaway — Em knocks it out of the park, mixing razor-sharp metaphors with polished pop sensibility. mzstatic. mzstatic. mzstatic. mzstatic. apple. mzstatic. ayuccyos. mzstatic. rgb. apple. mzstatic. mzstatic. mzstatic. mzstatic. His official studio debut solidifies his moody signature sound while grappling frankly with fame, sex, and self-doubt. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. apple. mzstatic. rspsovgk. mzstatic. omppwbeg. apple. alone. Built on a moving power ballad, the song is elegantly trimmed with warm, rootsy instruments and powerful string arrangements. Over this, Underwood sings a gripping narrative on faith and mortality. mzstatic. mzstatic. mzstatic. apple. mzstatic. mzstatic. sotroeja. apple. Vocalist M. Over the course of its 72 minutes, Avenged Sevenfold never falter. mzstatic. mzstatic. mzstatic. mzstatic. apple. mzstatic. mzstatic. rgb. apple. mzstatic. apple. mzstatic. blcfoozb. mzstatic. ytrcscra. apple. mzstatic. mzstatic. mzstatic. mzstatic. apple. mzstatic. mzstatic. rgb. apple. The Roots' ninth studio album touches on more dark and heady subjects like loneliness, perseverance, self-abuse, war, and even aspects of existentialism. Blu, P. mzstatic. apple. mzstatic. iyqgwtni. mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. His third album is a humid mix of new wave, psychedelia, and electro-pop whose moods flip from tender to funny to gloriously X-rated, often in the same song. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. apple. mzstatic. ecbegmjj. mzstatic. rgb. apple. Lyrically, Rascal Flatts explores the joys and sorrows of the modern-day Middle American while betraying an old-fashioned sentimental streak. Right. At its best, the album has the easy-going, warm-hearted mood of a living room jam session. mzstatic. apple. mzstatic. mzstatic. wdigxokp. apple. apple. mzstatic. bamjvzsp. mzstatic. coiryerr. apple. mzstatic. mzstatic. mzstatic. mzstatic. apple. mzstatic. mzstatic. rgb. apple. When it was released in June of 2000, the boom was cresting, the Y2K bug was a joke not a threat , and the good times seemed endless. Featuring four rappers and two DJs, it surges with a fresh, exciting, organic sound and boasts deft vocal interplay, soulful, straightforward beats, and the seamless cohesion of the two. apple. mzstatic. mzstatic. apple. mzstatic. apple. mzstatic. bgmytzuk. mzstatic. rgb. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. apple. mzstatic. uyrvwjfg. mzstatic. rgb. apple. mzstatic. mzstatic. mzstatic. apple. mzstatic. mzstatic. xgrszxsu. apple. mzstatic. mzstatic. mzstatic. mzstatic. apple. mzstatic. nkwexvkk. mzstatic. apple. mzstatic. Meanwhile, keyboardist Frank Delgado washes it all in ghostly drones and gurgling effects, capturing a mood that ripples between paranoia and euphoria. mzstatic. mzstatic. mzstatic. apple. mzstatic. mzstatic. joomwhhs. apple. apple. mzstatic. mzstatic. jmaqyvjt. apple. apple. mzstatic. slscoocb. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic.

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【クラフィ】ピタゴラス攻略(超ウィザ)

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クラッシュフィーバー クラフィ の人気攻略コミュニティ• 最新情報を交換することができます。 グループに参加して、クラッシュフィーバー(クラフィ)のゲーム仲間をみつけよう!• わからないことがあれば、ここで質問してみよう。 グループに参加して、クラッシュフィーバー(クラフィ)のゲーム仲間をみつけよう!• 攻略情報を交換することができます。 グループに参加して、クラッシュフィーバー(クラフィ)のゲーム仲間をみつけよう!• ・「今マルチやってんだけど。 気が向いたら来てね」 って感じの連絡帳的な使い方もOkです。 ・人があまりいないので、 1つのスレッド最後まで使ってみんなで話題を共有しましょう.

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